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  • Slave – S/T

    25,00 
    Used Vinyl Absolute Funk classic! OG pressing, top condition. Cover still in shrink. VG+/VG+

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  • Chicha vibes from Peru! Mint Copy, still sealed. Yellow colored vinyl. Mint/Near Mint  

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  • DJ Sotofett remakes of the debut LP (Content To Write In I Dine Weathercraft, 1983) from Irish post-punk producer Stano. A whole load of styles on this one. TIP! How this record came about has been lost a bit to the midst of (recent) time, back in 2018 when we repressed "Content to Write in I Dine Weathercraft" the 1983 debut LP of one of Ireland's more enigmatic musical characters - we slid it the way of the versatile Norwegian polymath who suggested a remix, which quickly became two and soon ended up a full suite. We put it aside for a bit, became a bit longer, then the artwork - pieced together by the Sex Tags boss himself cutting up features from Irish fanzine Vox - and the general lag of production in the post covid world and here we are the guts of 5 years later! A member of the legendary punk / post-punk group The Threat which disbanded after lead singer Maurice Foley disappeared to join the Hare Krishnas, Stano set up his outsider stall early on. The Threat had Stano on synths, one of the first female bassists in Deirdre Creed and their debut single was produced by progressive trad musician Donal Lunny of Planxty. His solo career of improvised electronic music continued in this vein of the unexpected – sitting outside both the country’s mainstream and alternative rock scenes. Eschewing both live performance and the spotlight for studio collaborations for this LP he worked with a number of Irish musicians - Roger Doyle, Daniel Figgis and of course Michael O Shea. This remix pack kicks off with the drum machine exotica funk of "Room" and runs the gamut of 80's pop experimentation via the new wave dream pop of "Emma Wild", dubbing out the haunted house vibes of "Seance of Klondalike", adding some menace to the gothic feel of "Melting Grey", stretching "Out of the Dark, Into the Dawn" into a skrangled baleric dubby house jam and closing it out adding a hypnotic repetitive punch to O'Shea's beautiful timeless playing on "A Dead Rose".

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  • Original Chicago Bulls Jacke von Starter. Sehr guter Zustand. Größe M.  

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  • Ausverkauft
    Original Notre Dame Fighting Irish Jacke von Starter. Guter Zustand - leichte, kaum erkennbare Gebrauchsspuren an den Ärmeln. Größe L.  

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  • Weiß-gelbe Stock Car Racing Windjacke in einwandfreiem Zustand. Zwei Jackentaschen, zwei Innentaschen. Klettverschluss an den Ärmelrändern. Prints auf linker Brustseite und linkem Ärmel. Aufgestickte Schrift auf der Rückenseite. Größe XL für Kinder.      

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  • Stump Valley now pop up on Dekmantel. The committed Berlin based studio outfit head into new areas after their previous work on Uzuri, Off Minor, Dopeness Galore and No 'Label ( that already had them jumping around styles and influences). The label say "Stylistic, enigmatic, and effortless. Stump Valley’s Dekmantel debut EP is a smooth melange of glossy soul, jazz, and serene house. Produced by the mysterious, and ultimately under-the-radar duo, the extended EP breezes through tropes of balearic analogue, warm Chicago sounds, yet remaining ultimately Italian. The duo, originally from Turin, prove their skills as true alchemists, as their forge hypnotic house and tropical flare through their array of drum machines, synths, and informed artistry derived from their deep stockpile of assorted records. Debuting they may be, but the Italian duo are no strangers to Dekmantel, having played at Dekmantel Festival, Selectors, and Lente Kabinet. Having released groove tracks across a whole spectrum of labels, Stump Valley’s reputation even precedes them. Throughout the EP, their sound echoes that of Prins Thomas, Larry Heard, and other select funk-driven Italian live producers that are making waves in the current scene. It’s a sound that’s permanently upbeat, radiant, and filled with joy. Berlin based vocalist and Max Graef collaborator Wayne Snow collaborates on vocal opener 'Natural Race', creating a slow groove, and funk-driven tempo. The music then veers into equatorial territory, as the duos' uses of classic 707 and LinnDrum sounds evoke a sense of sunset grooves; the sound of Theo Parrish slowly winding through an Adriatic cocktail party. Further on and 'Proletarians In Space' reflects the producers' more Detroit-like influences, with oscillating machine music. 'Zoo Planet X' takes the sound further, with dubby pads, and old-school kicks and hats, that transport the Turin-based artists across the Atlantic with their out-of-time sonic aesthetic."

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  • Used Vinyl Rare Nigerian OG pressing of Tabu Ley's classic "Hafi Deo". Must have. Record VG+/VG-

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  • Used vinyl. VG+/VG+

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  • Ausverkauft
    Used Vinyl Rare South African boogie!! Recordwith superficial wear, plays VG+. Cover has clear tape at edges. VG+/VG-

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  • Kalita are excited to announce the first ever reissue of student medical group the IgG Band's highly sought-after 1980 soul, funk and disco grail 'Ultra/Sound'. Originally privately released in a small run on band member Clifford Becker's Infusion Records imprint, the album has since become a treasured prize of but a handful of die hard collectors and DJs as a result of both ist scarcity and quality. Now, in partnership with the band, Kalita shine a light on the album for the first time in over forty years, accompanied by never-before-seen archival photos and extensive interview-based liner notes.

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  • Boogie Butt Records presents its new reissue. Originally Released in 1983 on Becket Records, Time To Throw Down, is a party banger, between P.Funk & Boogie, created by the one & only Paul Thomas, founder of the "Magic Crew", The Circle City Band. Bandleader Paul Thomas had produced three 12" single's released under the title Circle City Band in 1983-84, one of those records titled Magic became extremely popular in the mid1980's, but this record was supposed to be the 4th 12inch single on Becket Records. At the same time in 1983, when Reggie Griffin and Paul Thomas was mixing this instrumental track in L.A, the reverend "Rickie Clark" originally from "Circle City" in Indianapolis, came to see them hearing what there was doing, and fall in love with this track, asking if he could used it for himself . The "Circle City Band" (ccb) is made up of eight remarkably talented souls. The band is lead and managed by founder, producer/musician/singer/songwriter Paul Thomas otherwise known as "P" aka the "Funky Skunk" and also features long time friends and mentors, including the legendary award-winning, multi-musician/songwriter/producer Reggie “Mr. Everything” Griffin of Tech-No-Funk fame.

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