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Rap, Funk, Bier, Graffiti und Bockwurst. Auf Sticker. -
Tragt den guten Geschmack nicht nur auf der Zunge sondern auch am Körper. Jetzt wieder erhältlich. -
Der Bierdeckel für alle! -
Autor: Aurel Johannes Marx Co-autor: Philippe Debionne First edition, Berlin 2022. Published by allaboutdrow and Hitzerot. ISBN 978-3-9820295-2-8 -
- Veröffentlichung November 2022
- Hardcover Großformat (29cmx23cm) mit über 328 Seiten
- Über 760 Fotoabbildungen
- Texte in Deutsch und Englisch
- 135gr. Arctic White Papier
- Offset Druck
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Double sider 12" including the bubblegum club track ''Let's Make a Deal'' by Linda "Babe” Majika, which was originally released on the rare 'Don’t Treat Me So Bad' lp in South-Africa, 1988. On the flip, you’ll find the deep late-night saxophone driven tune ''Step Out Of My Life'' which includes Don Laka on the keyboard and is produced by Ray Phiri, who also founded the popular South African group 'Stimela'. The song was originally released in 1989 and finally sees a reissue, pressed as a loud DJ-friendly 12-inch. -
Outro Tempo II: Electronic and Contemporary Music from Brazil, 1984-1996 is the second installment of Music From Memory’s Brazilian series. This volume picks up where the first Outro Tempo left off, shedding light on a new wave of experimentalism that emerged in Brazil in the late 1980s and 1990s. The twenty tracks collected uncover another area of Brazilian music that looked to the future for inspiration. This time it drifts beyond the rainforest and into the pulsating heart of Brazil’s great cities, where it meets a generation of young artists eager to radically change the face of contemporary Brazilian music. In Outro Tempo II the avant garde and pop worlds meld in a haze of percussion and electronics. It presents another uncompromising and magnetic reinterpretation of the limits of Brazilian music. Outro Tempo II is compiled again by John Gómez and features original artwork by Alice Quaresma. -
Sam: Pharoah... Pharoah: Huh...? Sam: Were you asleep? I’m sorry... Pharoah: No no... I was listening... and dreaming... and listening to music in my head... Sam: Oh wow... sorry. Pharoah: Many times, people think I might be asleep... but in fact, I am just listening to music in my head. I’m always listening... to the sounds around me... and playing, in my mind... and sometimes I dream. Sam: What were you dreaming about? Pharoah: I’m on a ship. In the ocean. Bears coming around smoking cigars. The bears are singing, ‘We have the music. We have what you’re looking for.’ * * * Pharoah: How you like that take, Sam? Sam: It’s cool. I think the bit in the middle, where it stops again...I think you can hear...We were both kind of confused. I like it as well because it sounds like two musicians that are trying to guide each other. Pharoah: I think that’s it right there. It came out different. It came out good though. Sam: You happy? Pharoah: Yeah, I’m cool with it. Sam: Okay. Yeah, I think your playing is beautiful. -
Recorded And Originally Released Only In Argentina In 1972, The Album Shows An Exquisite And Delicatedialogue Between The Guitar Of Sebastiao Tapajos And The Percussion Provided By Pedro Dos Santos That Generates Ambiences Of Unusual Beauty And Depth.It Is A Necessary Addition To The Much-Hailed Pedro Dos Santos Album "Krishnanda" In The Collection Of Anyone With An Interest In The Most Adventurous Sounds Of Brazil And Also An Essential Work In The Discography Of Sebastiao Tapajos.Includes The Killer Afro-Samba 'Mungangá' And The Hypnotic Groover 'Sorongaio'.Info:The Ion Studios, Located In The Buenos Aires Neighborhood Of Balvanera, Have Been The Usual Setting For Recordings By Argentine Artists As Popular As Les Luthiers Or Charly García. In The Early 1970s They Also Hosted Brazilian Guitarist Sebastiao Tapajos For Several Sessions Accompanied By Other Musicians Such As Arnaldo Henriques, Marianazareth Or Pedro "Sorongo" Dos Santos. Two Albums Would Be Published In The Argentine Record Label Trova Of The Recordings Along With The Latter.Following The Success Of Our Recent Reissue Of Several Recordings From These Sessions ("Vol. 2" Vampi 212 And "Tudo É Moda" Vampi 45073) We Are Now Happy To Present This "Vol. 1". The Connection Between The Delicate Guitar Of Tapajos And The Surprising Experimental Percussion Of Pedro Dos Santos, Based On Unusual Objects Such As Spoons, Deodorant Containers Or Matchboxes, Creates Extraordinary Beauty Throughout The 12 Songs On The Album. The Sound Of The Flute Is Another Of The Ingredients Present In Several Of The Songs And, Although His Actual Involvement Is Not Confirmed On The Sleeve Credits Of The Album, Everything Seems To Indicate That Danilo Caymmi Was The Musician Invited To Accompany The Tapajos-Dos Santos Duo.Since Its First Release In 1972, This Album Has Been Highly Sought After By All Tapajos Fans, Both Inside And Outside Brazil, Becoming A Title Hard To Get Hold Of Due To The Fact That It Was Initially Only Published In Argentina. -
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Hochwertiges Shirt der spanischen Marke GRMY in einem dunklen Gelb mit rötlichem Fotomotiv aus NYC. Es steht zwar Größe M drauf, fällt aber wesentlich größer aus. -
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Four tracks by one of the biggest names in South African disco: Condry Ziqubu. A regular on the local soul scene since the late 1960s in groups such as The Flaming Souls, The Anchors and The Flaming Ghettoes, by the mid-80s he had qualified as a sangoma (traditional healer), recorded with Harari (the biggest group in the country at the time), fronted his own group Lumumba, and travelled the world as part of Caiphus Semenya and Letta Mbulu’s band. In 1986 he ditched Lumumba and released his first solo hit, ‘Gorilla Man’. Opening with an audacious 20-second intro, the song tells the story of a man preying on women in downtown Johannesburg. It highlights Condry’s winning formula of lyrics that touch on everyday South African issues and places (without drawing the attention of apartheid censors). Musically the song draws obvious influence from Piano Fantasia’s 1985 Euro-disco hit ‘Song for Denise’. Also included on this new anthology is another song from the same album, the politically charged ‘Confusion (Ma Afrika)’, as well as ‘Phola Baby’ from his 1988 album Pick Six – a call to men to “stop pushing your woman around … what kind of man are you?” – and ‘Everybody Party’ from 1989’s Magic Man, a straight-up party song with no political or social intimations, other than as a brief escape from the harsh reality of the time, one that still resonates today. Gorilla Man will be released on vinyl and digitally in early 2021 on Johannesburg-based Afrosynth Records (afs047), distributed worldwide by Rush Hour in Amsterdam. -
Returning with another debut album for 2021, Music From Memory are delighted to introduce a new band, The Zenmenn, with their first ever release ‘Enter The Zenmenn’. Whilst little about the band is made known, their work is described by writer Winton Rousseauas an “experiment in harmonic convergence emerging from a deep respect for cosmic symmetry and a resistance to the prevailing Zeitgeist.” ‘Enter The Zenmenn’ sounds as old as it sounds new, as organic as it is electric, as harmonic as it is rhythmic, and the album’s fusion of different palettes, colours, tempos, instruments and sources offer a harmonious balance and unity that already feels like the perfect soundtrack to a better world. In a time of what they see as spiritual neglect, it offers a “human kind of stillness” through the “dualistic fusions of complexity and simplicity, mystery and clarity and East and West”. Mfm054 will be released in LP and digital format, comes with artwork by Bráulio Amado, and is expected to be out on April 12th 2021. -
Schwarzes Adidas Shirt mit großen Frontdruck, der aus dem Adidas Logo und dem Text "Adidas Originals" besteht. Das Design ist im 80er Jahre Style gehalten. Der Aufdruck weist schon leichte Gebrauchsspuren auf, ansonsten ist das Shirt in einem sehr guten Zustand. Größe M. -
New material by Sandy B! South African Kwaito inspired music on this one....check out "Qhum Qhaks" which is a favorite here... Sandile Bhengu comes from Durban, South Africa, where he in the middle of the 90’s released his debut kwaito album Amajovi Jovi under the moniker Sandy B. During the following decades he would move actively within the local music scene and touch a variety of genres including afro-pop, deep house, R’n’B and Soul. In the mid 2010’s around 20 years since its release crate diggers and DJ’s across Europe and North America started dropping tracks from Amajovi Jovi. In late 2017 the album was reissued on Canadian label, Invisible City Editions giving a new lease of life to a forgotten classic and giving this once little known artist an international reputation. Following the successful re-issue of the 1995-album Sandy B returns to the forefront of music with original material 24 years later in the form of Qhum Qhaks. Qhum Qhaks comes from a close collaboration between Sandy and Danish DJ and collector Simon Lundsgaard a.k.a Simone Ahà. All songs were recorded in Sandy’s home studio to stick close to the ethics and production techniques of the 1995 classic. The material that emerged from this experimental process between the two of them captures the spirit of old school kwaito from the 90’s. Vumbuka Records was founded by Sandile Bhengu & Simon Lundsgaard in 2019 especially for the release of Qhum Qhaks. The vinyl release of Qhum Qhaks contains seven original tracks and a download code with three extra bonus tracks. -
Crown Ruler Records returns with a slab of unreleased disco-funk from Miami musician, Aaron Broomfield. HEAVY tune, in two mixes.. TIP. “Boomerang” was first recorded in 1979, when the Broomfield Corporate Jam leader was attempting to plot a solo career. It was the first cut Aaron Broomfield recorded under his own name – Initially, at the family band’s home studio, Kilimanjaro, and later at professional studios in L.A and Miami – but it was never released. “I always wanted to be able to share ‘Boomerang’ with my fans some day – I didn’t release it back then because I thought the time wasn’t right,” Broomfield explains. “It was so different to what was considered commercial then and felt ahead of its time.” Before deciding against releasing it, Broomfield had two test pressings made. It was the accidental discovery of the one remaining record by digger Arun Brown (the other perished when Broomfield’s Kilimanjaro studio was damaged by a fire in 1996) that set in motion the chain of events that finally led to its release. The jacket boasts a written essay by Broomfield himself, telling the remarkable story behind the song. The wax features the two versions of Boomerang, of which both were meticulously restored and re-mastered by celebrated Australian sound engineer, Dan Elleson. Head to side A for the “test press” version, a cosmic, starry-eyed chunk of elastic Miami disco-funk where the Broomfield family’s killer instrumentation – all rubbery bass, deep space synths and crunchy Clavinet motifs – arcs around the sound space like a boomerang in flight. The vocal arrangement, in which Aaron Broomfield’s conscious lyrics come through loud and clear, brings it home. On the flipside, you’ll hear how dynamic the band was through the “Demo Version” - a relaxed, loose and spacey groover that sounds as ahead of its time in 2018 as it would have when it was recorded in 1979. -
Freshe College Jacke mit holländischen Werbe-Stickereien vorne und hinten. Die Farbe ist ein dunkles Blau, auch wenn sie auf dem Foto eher schwarz aussieht. Sehr guter Zustand. Größe XXL. -
Single sided promo 12" on Moonwalk X Records. Rough proto-electro sounding production. Straight, catchy, wonky and free. Sounds like it could have been an underground classic in Detroit in the early eighties, but it's not. -
Ein feiner Zwirn von Carlo Colucci, der wahrscheinlich noch der etwas älteren Generation angehört. Zum größten Teil schwarz, an den Ärmeln jedoch mit schönen Stickmustern verziert. Carlo Colucci - When personality becomes style. Größe 50. -
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Eine Adidas Trainingsjacke mit kurzen Ärmeln - das sieht man auch nicht alle Tage! Die Knopfelemente unterm Kragen lassen darauf schließen, dass es mal eine Kapuze dazu gab. Größe L. -
What were they up to? Nobody could tell—not even them. Bremer/McCoy recorded straight to tape so that they had as little time as possible to think about it. They just laid it down. They couldn’t really explain it. “When it works for me,” says pianist Morten McCoy, “it’s pure meditation, pure prayer. Pure gratitude for simply being, without all kinds of jibber-jabber filling my thoughts.” A sentiment that tells you everything about the feeling and nothing about the sound. McCoy and the bassist Jonathan Bremer started making music together back in 2012 when they were still in school. At first the Danish duo played dub. It’s hard to imagine that that’s how they started when you listen to the ethereal sounds they make now, but the influence becomes clearer when you see them live: they insist on traveling with their own sound system. For Bremer/McCoy, making music is all about what happens in the room. That’s why they go through the trouble of carrying their own equipment, and it’s why they record analog. When they write music, they aim for direct transmission—idea straight to composition. Natten, which means “The Night” in Danish, draws inspiration from the end of day, that regenerative time under the constellations when our lives look different. “We felt a greater freedom this time around because we now have a much deeper understanding and grounding in what we’re doing,” says Bremer. “This allows us to venture further out than ever before, because we know that things typically fall into place.” -
Odion Livingstone present another essential reissue from the Nigerian archives, the first ever international release of The Apples’ essential Afro-funk LP rarity ‘Mind Twister’.As part of the St Gregory’s student band scene in Lagos during the late ‘70s alongside Ofege, Grotto and more, Apples were picked up and produced by legendary EMI Nigeria producer Odion Iruoje who added overdubs to the album at Abbey Road in London with Curved Air keyboardist Francis Monkman. The band met and formed in Lagos. Bandleader Frank Ikpefuran teamed up with Georges Vieira from the American School and brothers Clifford and Gerard Nagi who were studying at “St Greg’s” in Lagos, and remembers, “I must have been 19 years old when I met Clifford. We used to hangout on Victoria Island, watching bands play and jamming with them. That’s how we met Georges. We all listened to Jimi Hendrix, Santana, Idris Muhammad and the Beatles.” “We started jamming with Clifford on the guitar, his brother Gerard on the bass and Georges on the guitar. We chipped in with song ideas, with the group contributing arrangements and refning things until we were satisfed. The band had a natural sound, which stemmed from the chemistry we had. It was a strange chemistry, we were an odd combination from different backgrounds but when we played, something happened…” After landing a residency at Tee Mac’s club in Surulere, Apples auditioned for Odion Iruoje who arranged recording dates and cut the record. For a young band, Iruoje was surprised by the quality of the band, adding in extra keyboard parts from Lemmy Udofa and Francis Monkman, founder of Curved Air and session man for Kate Bush, Sky and music libraries like BBC Music, Bruton and KPM. Iruoje remembers, “their playing added a layer of sophistication and sheen without encumbering proceedings.” This defnitive edition of Apples’ ‘Mind Twister’ features new interviews with bandleader Frank Ikpefuran and producer Odion Iruoje and has been fully remastered by The Carvery. -
Stump Valley now pop up on Dekmantel. The committed Berlin based studio outfit head into new areas after their previous work on Uzuri, Off Minor, Dopeness Galore and No 'Label ( that already had them jumping around styles and influences). The label say "Stylistic, enigmatic, and effortless. Stump Valley’s Dekmantel debut EP is a smooth melange of glossy soul, jazz, and serene house. Produced by the mysterious, and ultimately under-the-radar duo, the extended EP breezes through tropes of balearic analogue, warm Chicago sounds, yet remaining ultimately Italian. The duo, originally from Turin, prove their skills as true alchemists, as their forge hypnotic house and tropical flare through their array of drum machines, synths, and informed artistry derived from their deep stockpile of assorted records. Debuting they may be, but the Italian duo are no strangers to Dekmantel, having played at Dekmantel Festival, Selectors, and Lente Kabinet. Having released groove tracks across a whole spectrum of labels, Stump Valley’s reputation even precedes them. Throughout the EP, their sound echoes that of Prins Thomas, Larry Heard, and other select funk-driven Italian live producers that are making waves in the current scene. It’s a sound that’s permanently upbeat, radiant, and filled with joy. Berlin based vocalist and Max Graef collaborator Wayne Snow collaborates on vocal opener 'Natural Race', creating a slow groove, and funk-driven tempo. The music then veers into equatorial territory, as the duos' uses of classic 707 and LinnDrum sounds evoke a sense of sunset grooves; the sound of Theo Parrish slowly winding through an Adriatic cocktail party. Further on and 'Proletarians In Space' reflects the producers' more Detroit-like influences, with oscillating machine music. 'Zoo Planet X' takes the sound further, with dubby pads, and old-school kicks and hats, that transport the Turin-based artists across the Atlantic with their out-of-time sonic aesthetic." -
Killer boogie cuts from 1984 reissues! Double sider... 300 limited, grab it.. -
Highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan. Considered a Holy Grail of Japanese music by many.. Beautiful 1 LP 33rpm Cut Re-Edition (2017) with 'Tip On' Sleeve - housed in heavy cardboard old Stoughton tip-on jacket - cut directly from the original studio reels at the Frankfurter SST Studio 'Through The Looking Glass' is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience. Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. Midori released two solo albums: 'Through The Looking Glass' and 'Tree Of Life' and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body.
