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  • 12'' Label: Eine Welt 700WET, a clever wordplay on "wet" and "watt", evokes the image of a charged battery ready to make some serious noise - and is eager to release its energy. This electrifying art-pop project is the brainchild of Marja Christians, an award-winning dancer and opera singer and Cid Hohner of Moonwalk X Records, OTTO, and Aufgang B. Their alluring synth-pop and honest operatic vocals transport listeners to a realm of sensual pleasure, inspired by the feminist power of erotica. Imagine Grace Jones singing minimal wave style in a Chicago house and you'll get a taste of their genre-defying 'Lovers-Dance' sound. Fans of italo disco and digi dub would surely like to take a bite here. They crafted their music with Yamaha Portasound keyboards and smoky Crumar string keyboards. All of this creates an authentic and distinctive sound that is hard to find elsewhere. 700WET is an explosion of creativity that will take you on a journey of lust, passion, and love.

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  • Used Vinyl. VG / Generic 12'' Label: Apotek
    US native and Techno newcomer 785 blasts onto the scene with a stellar debut 12". Kansas native 785 debuts with his first 12" ever on Jerome Sydenham's Apotek records. It is clear this evasive sound engineer has a special gift to craft Techno from sources

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  • Used Vinyl. VG+ / VG+ 12'' Label: King

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  • Used Vinyl. VG+ / NM 12'' Label: Cordial Recordings The second album release on Cordial Recordings is a re-release of Afrodisia's highly collectible album 'Elephant Sunrise' from 1980 on Comma. Top notch funky soul with references to jazz and disco!Afrodisia were combination of US soldiers with local musicians from Worms, Germany that were formed in 1978 and recorded two albums during their years together with 'Elephant Sunrise' being the only one that was actually released. 'Elephant Sunrise' has become a revered album by collectors because of the high quality of songs featured on the album which cross from soul to funk to disco and jazz with great ease. The band's leader Darnell Summers is originally from Detroit and is the brother of Headhunter Bill Summers who also features on the album as a player and songwriter. 'Sugar Free' is highly regarded by aficionados on the soul scene for it's glowing summer sounds and is one of the two songs that Bill Summers co-wrote on the album.

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  • 7'' Label: Philophon Ahemaa Nwomkro, which means queens of Nwomkro, are Victoria Osei and Theresa Owusuaa. Nwomkro is an old Ashanti musical style, which played an influential role in the origin of the typical more roots-like Highlife style of Kumasi, the cultural capital of Ghana in the middle of the jungle. On this release the two singers have teamed up with the young generation of Highlife muicians of Kumasi. On guitar is Akule Pepe, who served for years in the group of Highlife legend Alex Konadu, the most on demand band in its time. The two songs are a rare example of how good pure Nwomkro gets together with typical Highlife.

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  • Used Vinyl. VG+ / VG+ 12'' Label: CBS    

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  • Used Vinyl. VG / VG 12'' Label: MCA Records  

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  • Used Vinyl. VG+ / Generic 12'' Label: Million Dollar Disco Al Kent’s "Music Machine EP" continues the theme of Million Dollar Disco’s latest edits series, chopping and changing some fine disco moments, stripping out the boring bits and enhancing the good!

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  • Used Vinyl. VG / VG 12'' Label: Fabbri Editori This is an italian re-issue of Albert Ayler's album "Vibrations"

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  • 12'' Label: Eine Welt Eine Welt presents Künefe as the second instalment in their limited 12inch series. A two tracker too hot to lick, spiced up with sweet Turkish herbs. A delicate oriental pearl, that’s until now only served in the finest Turkish cuisine. Produced and written by label owner Alexander Arpeggio and Danish artist Nixxon. The title track is a romantic homage to the sweet Turkish dish Künefe. Wrapped in 80s production NDW style, flavoured with analog synth melodies and erotic schlagerish German male vocals. Hotter than melted cheese this track will set any dance floor on fire. The flip opens with a sensual vibe. Op beni Künefe is an anthemic, ferocious and hard rocking slow jam. Hip shaking bass line and flirty lyrics by Istanbul artist Hilal Can. For those afraid of vocals, the record ends with an instrumental version of the title track.

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  • Used Vinyl. VG+ / Generic 12'' Label: Bosconi Extra Virgin Rondenion this time teaming with his compatriot Altz, for an 100% japanese house music vinyl “Sol Levante EP” .    

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  • Heavy South African cut, unearthed by Dene from LCT, All about the massive title track ''Got My Magic Working''... Phat bassline, machinegun claps dipped in acid! The origins of Amajika is a tale of two worlds colliding at the perfect moment and begin in KwaMushu Township outside Durban. Here would be where a young Tu Nokwe would set up a school to help teach other aspiring youngsters like herself in music, dance and acting. This would become known as the Amajika Youth and Children’s Art Project and would be run from the Nokwe home, a common hangout for artists at the time. Some boast 2000+ pupils going through this program while others claim it wasn’t more than a backyard dance group, but for the lucky group of kids that were members in the mid 80s it would be their chance at stardom. It was during these years that a young aspiring playwright and musician Mbongeni Ngema had come across Tu and her group of gifted youngsters at the Nokwe family home. Although he was touring extensively at the time with the plays Woza Albert and Asinamali, the latter which eventually ended up on broadway, he would spend any time off from the tour with Tu and her dance troop. After being inspired by the American group New Edition, Mbongeni envisioned Amajika as the South African answer and decided to bankroll a studio session. The session would take place in a private studio in Durban.The release of the first single would follow very shortly. The lead track, Tomati-So is a fun swinging groove over some basic programmed drums. The song is dedicated to Tu Nokwe sings of her unique style and kind heart. On his next tour Mbongeni would take the remaining masters with him to the US and had the track remixed. Although it never materialized in a release States side he did return with the remixed tape and release it in South Africa the following year. Much like Tomato So the song was an ode and would be dedicated to the man who was making all their dreams come true. Got My Magic Working sings of going overseas and being a star on Broadway and TV and the man who is making it all happen. All these true predictions are sung on top of a groovy acid bass by a clearly matured troop of artists. During these years of working with Amajika, Mbongeni became very impressed with the exceeding talent of one of the members and decided to cast her in his upcoming musical Sarafina. The other children also wanted to be a part of the Broadway show but not everyone would get a role. This would be the end of Amajika as the next years would be dedicated to creating success on the musical stage. The growing kids that formed Amajika became young adults and pursued their own careers after the fact. Tu Nokwe would leave the country to return years later as the wife of Shaka Zulu on the big screen. To this day she is still very active both on stage and screen while Mbongeni is still writing and adding to the South African Musical Theatre catalog. Fast forward 30 years from the original release to a smokey club where ESA hears Got My Magic Working played by Rush Hours Store’s own Bonnefooi. Instantly he inquires about the track from his homeland and feels it a perfect addition the repertoire of the Afro Synth band he is quietly cooking up. The band’s instrumental take ended up as the B side on a mysterious and limited white label released by Rush Hour in early 2020 but quickly sold out. Here you have compiled the two title tracks from original Amajika singles along with the instrumental version by ESA’s Afro Synth Band for The complete Amajika experience, past to present.

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  • Used Vinyl. NM/ VG+ 12'' Label: Level Records

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  • Used Vinyl. VG+ / VG 12'' Label: Continental, Gel  

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  • Used Vinyl. VG+ / VG 12'' Label: 4 Men With Beards This 1968 LP was powered by three hit singles (including '[You Make Me Feel Like] A Natural Woman') each nested in the upper reaches of the pop Top 10. It became Aretha's second Gold LP and remained on the charts for over a year.  

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  • Used Vinyl. VG / Generic 12'' Label: Phoenix G. Hairlines and some big scuffs but they don’t affect the sound.
     

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  • Used Vinyl. VG+ / VG+ 12'' Label: A&M Records    

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  • Used Vinyl 12'' VG / VG Hungarian Fusion Album from 1976.

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  • Used Vinyl. VG+ / Generic Heavy synths and cool drum patterns. Modern take on forgotten rituals. Comes with a remix by Claude Young! 12'' Label: Badance      

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  • Used Vinyl. VG / G+ 12'' Label: United Artists Records  

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  • Used Vinyl. VG+ / VG+ 12'' Label: Nursing Home      

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  • Used Vinyl. VG / Generic 12'' Label: Atlantic  

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  • Used Vinyl. VG / VG+ 12'' Label: Philly World Records  

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  • Used Vinyl. VG+ / Generic 12'' Label: Wolf Music Recordings
    Following on from Casino Times' debut album Familiar Circles, Wolf Music enlist Al Zanders & Moomin to remix their favourite cuts from the album.

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  • Used vinyl. VG+/VG+ 12'' Label: Mercury

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  • 12'' Chicago-born composer, producer and arranger Charles Stepney is known to some for his work with Earth, Wind & Fire, Deniece Williams, and Ramsey Lewis, or for his work with Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many many more. In the decades since his untimely death in 1976, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he supported while he was alive, Stepney is a greatly under-appreciated figure... a genius relegated to the shadows.

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  • Used Vinyl. VG+ / VG 12" Label: Curcio
    Record in great condition. Price tag & traces of usage on cover.
     

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  • Used Vinyl. VG+ / VG+ 12'' Label: T.T.E.D.  

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  • Used Vinyl. VG+ / VG+ 12'' Label: Virgin

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  • Used Vinyl. VG+ / VG+ 12'' Label: Wundertüte    

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  • Used Vinyl. NM- / NM- 12'' Label: Ouvo Records Combo Aspik is a session band project founded and led by musician, producer and DJ Magic Manfred. The bass player teamed up with some of Berlin’s finest session musicians to produce a self-titled debut album fusing live music and club culture. The tunes are heavily influenced by Boogie and Jazzfunk of the late 70s and early 80s such as the music of Bernard Wright, Don Blackman or any underground Disco gems. David Guy - Drums, Florian Schultz - Guitar, Gerrit Ebeling - Keys, Tim Hoffmann - Percussion, Magic Manfred - Bass, Vision.

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  • Used Vinyl. VG / VG+ 12'' Label: CBS

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  • When arists self-releases their own recordings, they do so in the hopes that a hit might develop, or even better, a sphere of influence might form. In a lot of cases these records provide a stamp of existence and intent – a sonic business card showing what musicians were made of. Compass Rises (1973), the privately pressed sole LP by Oneonta, New York’s Compass, is both a sampling of versatility and a declaration of straight-ahead purpose. Regularly active in upstate New York between 1969 and 1974, Compass was an acoustic-electric quartet that played original music and modern jazz standards. The group consisted of saxophonist and bass clarinetist Rick Lawn, keyboardist Joel Chase, bassist Tom Ives (doubling on flugelhorn), and drummer Al Colone. On the LP, percussion duties were shared across the band as well as an conguero, Ken Parmele. Every song on Compass Rises, with the exception of the opener, is written and arranged by Lawn. The album is a nod to the post-Coltrane lineage of 1970’s jazz – even at its most spry there’s an undertow of workmanlike toughness, perhaps a reflection of the industrial-collegiate hybrid towns in New York where Compass plied their trade. Ives’ “Cleanin’ Up” starts the proceedings, a modal groover that would not have sounded out of place on a Joe Henderson Milestone LP, coupled with a neat, funky turnaround in the head. “Sunflower” has a slight Latin flavor and while it’s not exactly Freddie Hubbard’s “Little Sunflower,” it does have a lilt that’s both sinewy and breezy, with Lawn’s huskily burnished tenor shimmying atop. Following the ballad “Waltz for Barbara,” a front line expanded with Ives’ flugelhorn opens up on the driving “Blues for Vito,” dry and cracking rhythm supporting a tough, metallic dance. Side two begins with “Schizoid,” the nasally incision of Lawn’s soprano saxophone in spiraling turns against pummeling toms and Chase’s fuzzed-out intervallic sprawl. “Sour Cream” is a choppy bit of soul jazz, while the closing “Pharoah’s Thing” starts off on an elegiac plateau before unfurling with a piquant, minor-key bounce. With its stark, somewhat gothic cover art and toothy, inspired playing and composing, Compass Rises deserves the critical examination that it likely didn’t have upon release.

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  • Used Vinyl VG / No Cover Nice Roots / Reggae record. 12'' Label: Virgin  

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  • Used Vinyl. VG+ / VG 12'' Label: CTI Records    

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  • Ausverkauft
    Used Vinyl. VG / Generic 12'' Label: Leave the Man in Peace with his Kit Now, these tracks do one thing: they are meant for the club and in the club they should stay. A somewhat sweaty enviroment, like 150 people and a good analog soundsystem… something along those lines. The aim is at a real track-y, immediate vibe – without diving too deep to the autistic side of disco edits. Just trying to master the ancient art of elevating a piece of music by cutting and pasting.

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